And also, he’d just decide, “OK, I think I’ve been holding back long enough. I knew there was this moment where Frank would play a song and he would butcher it, and then Bill would play it, and Frank would be blown away. How did Mazin and video game and series co-creator Neil Druckmann create such a rich episode? We’ll let them explain.ĬRAIG MAZIN: I’ll tell you exactly who to blame. Under Hoar’s direction and Mazin’s pen, Offerman and Bartlett give career-defining performances that are so vulnerable and visceral that it’s as if almost the camera shouldn’t be there. It’s a 75-minute character study that wonderfully captures the essence and beauty of a life well lived amongst the bleakness of the outbreak through the eyes of two lovers named Bill ( Nick Offerman) and Frank ( Murray Bartlett). Written by Craig Mazin and directed by Peter Hoar, Episode 3, named after Linda Ronstadt’s ’70s lovelorn ballad “Long Long Time”, goes far beyond the scope of the original game to deliver the audience and eagle-eyed gamers alike something special. SPOILER ALERT: This interview contains details of Season 1, Episode 3 of HBO’ s The Last Of Us.Īfter watching Sunday’s stellar and heartbreakingly tender third episode of The Last of Us, it’s not difficult to see why a person might consider it one of the best pieces of television this year.
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