Some younger scholars have sought to approach African art as inseparable, for all practical purposes, from complexes of sound. Students of the arts of Africa have also been reluctant to confront the esthetic and artistic dimensions of their data traditional art-historical and critical perspectives have been subordinated to the gathering and organization of masses of minutely particularized behavioral information. There seems to be little question, however, that art-historical questions have received-and continue to receive-comparatively little scholarly ’attention. A history of African art comparable in scope and depth to those achieved for the major Western and Oriental traditions lies in the future, although some promising beginnings have been made. AS AN ASPECT OF WESTERN intellectual history, the systematic study of African art must be regarded as still in its infancy.
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They don’t accept the idea that offering some small benefit is justification for allowing an attention-gobbling service into their lives, and are instead interested in applying new technology in highly selective and intentional ways that yield big wins. He writes:ĭigital minimalists see new technologies as tools to be used to support things they deeply value-not as sources of value themselves. So, in response, Newport wrote Digital Minimalism, which details a new strategy for technology use. Many people described their interaction with digital technologies as resulting in a loss of control over their attention, time, and lives. of having so many different shiny baubles pulling so insistently at their attention and manipulating their mood” (x). “A common I heard in these conversations about modern digital life was exhaustion. So he began interviewing his readers and studying the topic. Amid responses to his book Deep Work, Cal Newport was surprised by the number of people who complained about the pitfalls of such technologies. Digital technologies, such as smartphones, social media, and streaming services clearly provide value to lots of people, but they can also have serious drawbacks. It’s very relevant in today’s time because it talks about viruses and pandemics and really gave me insight into what our lives could be like after covid-19. I wasn’t too sure heading into this book, but i actually really loved it! Now Walter’s devised a plan to help Phoebe overcome her anxiety, and she must decide whether to continue isolating herself or risk everything initiating a friendship with the charming subway busker she can’t help but want to touch.” By the time she reaches high school, her only sources of respite are pottery class and her friendship with Walter, the elderly owner of the used bookstore where she works part-time. To protect Toby’s health in the years that follow, Phoebe dedicates herself to pathogen avoidance, refusing to touch any potential sources of contamination-handrails, doorknobs, vending machine buttons, and even other people-leading to an unintended life of seclusion. Before she got Covid and infected him, putting his already fragile life in danger. There was a time she didn’t worry obsessively about rogue pathogens lurking on every surface, lying in wait to contaminate her.īut that was before her brother Toby’s premature birth left him with underdeveloped lungs. “Sixteen-year-old Phoebe Benson wasn’t always germophobic. Happy easter!! i just finished my arc of “phoebe unfired” by amalie jahn! thank you to the publisher and netgalley for the arc in exchange for an honest review! all thoughts and opinions are my own. Creskoff will star as Debbie, with von Haselberg as Lauren, Hildreth as Mark, Malina as Phil, and Salstone as Trevor. The cast is led by Rebecca Creskoff ( Losing Louie, Claws) and Sophie von Haselberg ( Billy & Ray), along with Greg Hildreth ( Company, Frozen), Joshua Malina ( A Few Good Men, The West Eing), and Nathan Salstone ( Harry Potter and the Cursed Child).Īdapted from Englander's Pulitzer-finalist short story of the same name, the play follows two high school friends who, after years apart, reunite at a dinner party with their respective husbands that goes off the rails. The run, which began September 13, will continue through October 23 at the Sheryl and Harvey White Theatre. The world premiere of Pulitzer-finalist playwright Nathan Englander's What We Talk About When We Talk About Anne Frank officially opens at San Diego's The Old Globe September 18. “We’re like lightning and thunder, inherently different but alike enough to share the same sky.”Ībsolute Perfection! I’m so in love with this book. Together, boundaries blur, and being exposed could mean catastrophic consequences for both. But when feelings surface, protecting the sexy-as-sin, stubborn celebrity becomes increasingly complicated. Flirting, dating, and hot sex falls far, far out of the boundary of his bodyguard duties and into “termination” territory. Twenty-seven-year-old Farrow Keene has one job: protect Maximoff Hale. When he’s assigned a new 24/7 bodyguard, he comes face-to-face with the worst case scenario: being attached to the tattooed, MMA-trained, Yale graduate who’s known for “going rogue” in the security team - and who fills 1/3 of Maximoff's sexual fantasies. By two, his face is all over the internet.īorn into one of the most famous families in the country, his celebrity status began at birth. By noon, lunch can turn into a mob of screaming fans. Headstrong, resilient, and wholly responsible - the twenty-two-year-old alpha billionaire can handle his unconventional life. Genres: Adult, Contemporary, Enemies to Lovers, Famous, Forbidden, M/M, Realistic Fiction, Romance Damaged Like Us (Like Us #1) by Krista & Becca Ritchie Ele escreveu vários comentários sobre os livros do Novo Testamento, além de livros que abrangem vários tópicos, de Jesus e Paulo à igreja afro-americana. Keener tornou-se professor no Hood Theological Seminary, depois professor de Novo Testamento no Palmer Theological Seminary da Eastern University por quase 15 anos. Keener ensina em vários países, especialmente países em África. Desde 2011, Keener é Professor (FM e Ada Thompson) de Novo Testamento no Asbury Theological Seminary em Wilmore (Kentucky). Ministério Įle foi pastor associado da Enon Tabernacle Baptist Church of Philadelphia até 2011. em Estudos do Novo Testamento e Origens Cristãs da Universidade Duke. Keener é um acadêmico norte-americano, Pastor Batista, teólogo arminiano e professor de Novo Testamento no Asbury Theological Seminary. The plot made me want to read on and on and on. I never expected that I would finish this book so fast. A bunch of girls living in a school dormitory practicing witchcraft made me curious. Magic and witchcraft had always been a favorite theme of mine when it comes to the novels that I read. The synopsis pretty much got my attention. I remembered that I bought this one because I really liked the blurb. Magic could bring Eliza everything she’s ever wanted…but it could also destroy everything she holds dear. The girls taste freedom and power for the first time, but what starts out as innocent fun turns sinister when one of the spells has an unexpected-and deadly-consequence. Bonded in sisterhood, they cast spells–cursing their headmistress with laryngitis, brewing potions to bolster their courage before dances, and conjuring beautiful dresses out of old rags. After finding a dusty, leather bound spell book, the Billings Girls form a secret coven. But Eliza and her housemates have a dangerous secret: They’re witches. Her parents expect her to learn the qualities of a graceful, dutiful wife. The year is 1915 when sixteen-year-old Eliza Williams arrives at the Billings School for Girls in Easton, Connecticut. Publisher: Simon & Schuster for Young Readers (December 10, 2010) When somebody messes with Skylar, Rory is there to help. But things are bit weird from the get go and he meets a stranger named Rory who definitely gives off LEO vibes. He’s contact law enforcement but gotten no response, so he decides he’s going to check it out. Somehow, somebody doesn’t like what he’s had to say on the podcast, because he’s been getting death threats. For the first time, he decides to attend the vigil for the missing person who has inspired a number of books and other podcasts in the small town of Woodlark, NH, the last place Deirdre Duncan was seen. Skylar is a criminology professor who has a side gig with a true crime podcast. This is Skylar’s first vigil, and his fans are excited, but maybe not as excited as the person who’s been anonymously emailing him coordinates to what this poison pen pal claims is Deirdre’s grave. Family, friends, and “supporters” of the long missing girl gather at the spot where she was last seen. But in law enforcement circles, he’s viewed as just another crackpot internet sleuth.Įvery February, the remote New Hampshire village of Woodlark is the site of a candlelight vigil for Deirdre. In fact, on the mean streets of the internet, he’s considered an expert on the case. The decades-old disappearance of 21-year-old teaching student Deirdre Duncan is the holy grail for true crime buffs-and Skylar Brennan, the host of the Ugly Town podcast, is no exception. This reminds me of Auerbach on Woolf – the characters being beyond Woolf’s authorial scope, and I want to compare this to The Waves & The Golden Notebook as British novels in 6 voices. Far from being a negative quality, however, Mitchell seems to explore this as a means of creating a story so large that even he, the author, cannot make all its pieces match up (vs. This arrangement of narrative, like an onion sliced in half, seems to thematize a postmodern collapse of history and boundlessness of space, forcing us to move first from history to the present to the future, and then back again. It was inspired by the interrupted narratives of Calvino’s If on a Winter’s Night a Traveler, but completes all its stories in a nested cycle. David Mitchell’s novel is probably the best thing I read all year. Next he drew the beautiful sword, and bowed, kissing the blade, and laying it across his breast, as he had seen a noble knight do, by way of salute to the lieutenant of the Tower, five or six weeks before, when delivering the great lords of Norfolk and Surrey into his hands for captivity. He turned himself this way and that before the great mirror, admiring his finery then walked away, imitating the princeâs high-bred carriage, and still observing results in the glass. Tom Canty, left alone in the princeâs cabinet, made good use of his opportunity. The Prince and the Pauper - V: Tom as a Patrician |